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1/3" 3-CCD 24P/30P/60i DV Cinema Camera with CineSwitchTM Technology, CineGammaTM Software and IEEE 1394 Interface

Amazon Sales Rank: #1256 in Camera & Photo Brand: Panasonic Model: AG-DVX100B Released on: 2009-11-30 Dimensions: 3.75 pounds Display size: 3.5 Allows synchronous setting of time code values among multiple cameras 3 CCD image system; 24P/30P cinema mode; manual operation Wide-angle zoom lens perfect for small-room shooting, close-ups, and self-recorded interviews High-sensitivity slow shutter (in cumulative) function Professional digital video camera 3 CCD image system; 24P/30P cinema mode and manual operation

Already used for film and TV program production as well as news gathering, Panasonic's DVX100 series has now evolved further with the AG-DVX100B. The AG-DVX100B debuts as the industry's first DV camera-recorder to allow camera-to-camera time-code synchro and user-settable file transfer. This allows the AG-DVX100B to be used for simultaneous multi-camera recording techniques often used in video production. Additionally, the new model offers remote focus and iris control for easier operation when mounted on a jib arm or tripod. The Black Sapphire AG-DVX100B offers the acclaimed performance and multiple functions of previous high-end DV camera-recorders models. In addition to superior image quality, high sensitivity, 24P/30P Cinema mode, and manual operation, it has the specifications needed for full-fledged professional video production. Already used for film and TV program production as well as news gathering, Panasonic's DVX100 series has now evolved further with the AG-DVX100B. The AG-DVX100B debuts as the industry's first DV camera-recorder to allow camera-to-camera time-code synchro and user-settable file transfer. This allows the AG-DVX100B to be used for simultaneous multi-camera recording techniques often used in video production. Additionally, the new model offers remote focus and iris control for easier operation when mounted on a jib arm or tripod. The Black Sapphire AG-DVX100B offers the acclaimed performance and multiple functions of previous high-end DV camera-recorders models. In addition to superior image quality, high sensitivity, 24P/30P Cinema mode, and manual operation, it has the specifications needed for full-fledged professional video production. Lightweight design with balanced grip The AG-DVX100B introduces a new design that ends the contradiction between a compact, lightweight body and a stable, secure hold. The center of balance is located precisely at the handgrip. Because there's no need for a wide-angle conversion lens, the weight balance is ideal for comfortable shooting. The AG-DVX100B's short body and light weight — it weighs only 4.189 lb (1.9Kg) in operating condition* — means free, easy maneuverability. Plus, the low-center-of-gravity design and new skeleton lens hood greatly improve forward vision. *Camera-recorder with DV cassette tape and supplied battery. New AG-DVX100B functions (compared with the AG-DVX100A) Allows synchronous setting of time-code values in multiple cameras User-settable files can be copied from camera to camera Remote control of focus and iris (wired) EVF and LCD can display images in 16:9 letter-box format Superior image rendering with the Leica Dicomar lens, plus OIS The Leica Dicomar lens featured in the AG-DVX100B incorporates Leica optical technology and know-how. Use of low-dispersion glass reduces color aberration and increases resolution, while a multi-coating process minimizes flare and ghosting. The results are sharp, crisp, beautifully rendered images with delicate nuances and exceptional shading. The lens system features 15 lens elements in 11 groups, including three aspherical lenses. Panasonic's advanced OIS (Optical Image Stabilizer) drastically cuts the blurring caused by hand shake. Optical processing with an automatic correction function helps assure consistently clear, sharp images. 410,000-Pixel, 3CCD image system provides f11 sensitivity for superior image quality Panasonic designed the AG-DVX100B to deliver the highest sensitivity and picture quality in its class. At its heart is a 3CCD RGB system comprising three 1/3-inch, 410,000-pixel progressive CCDs developed especially for broadcast and professional applications. The new on-chip lens design achieves high F11 sensitivity, allowing the AG-DVX100B to record in light as dim as below three lux, for example, in nighttime news gathering. Picture quality is outstanding, with a high S/N ratio that means less noise in darker parts of the image and low smear that allows shooting in sunlight or under bright spotlights. High-sensitivity slow shutter (in cumulative) function The slow shutter function uses image accumulation to enable shutter speeds with frame rates reduced by half or more. You get the ultra-high sensitivity needed for nighttime shooting without illumination, as well as dramatic frame-by-frame or soft-focus effects. High image quality with 12-Bit A/D conversion The AG-DVX100B features an A/D converter that uses the same 12-bit processing as broadcast camera-recorders. Precisely digitizing the gradation and colors captured by the progressive CCD, this A/D converter supports gamma switching and other fine downstream image adjustments--one of the keys to achieving rich image expression. RGB gamma processor provides rich, cine-like tones Panasonic has greatly expanded the expressive capability of the DV camera by creating unique gamma functions such as Cine-Like gamma curves, which produce images strikingly similar in tone to film images. For each of the RGB signals, the gamma curve settings are processed immediately upstream from the digital signal processing circuit. This helps achieve outstanding image quality. The AG-DVX100B continues with the tradition of the seven gamma curves pioneered with the DVX100A. High-quality, native progressive 24p/30p mode Choose from three shooting modes: 24p (24 frames per second (fps), progressive) for images with the look and motion of film movies, 30p (30 fps, progressive), or standard 60i (60 fps, interlace). Thanks to its progressive CCD, the AG-DVX100B creates native progressive images with outstanding vertical resolution--unlike images produced using conventional electronic interpolation. With its high mobility and low costs, the AG-DVX100B is the ideal tool for producing indies, shorts, or streaming video. 24p Advance Mode--for 24p non-linear editing In 24p mode, images from the CCD can be 2:3 pulldown-converted (24p Mode) or 2:3:3:2 pulldown-converted (24p Advance Mode) and recorded onto tape in the standard 60i TV format. The tape can then be played back or edited using an ordinary DV system. True 24p editing can be achieved by uploading 2:3:3:2 pulldown-converted images via an IEEE 1394 DV interface to a compatible non-linear editing system.* The 24p Advance Mode allows 60i/24p conversion with minimal picture degradation and on the fly 24 frame extraction. *Systems compatible with 24PA as of June 2005: Apple Power Mac G4/G5 with FCP 4, Avid Xpress Pro, Adobe Premiere Pro, Sonic Solutions Vegas Improved color reproduction and advanced image adjustments built-in Optimized color separation optics help provide true-to-life colors "Enriched" matrix setting offers more saturated colors Adjustable V detail level (edge correction in vertical direction), H/V detail balance, and detail coring (detail noise removal) Knee point (luminance compression) settings Auto, Low, Mid and High 24p/30p shooting functions for professionals Focus assist* Gain up (+12 dB max.) SMPTE color bar display and output *Autofocus in 24p/30p mode requires slightly more focusing time than in 60i mode. Wide-angle/zoom lens answers professional needs The AG-DVX100B's zoom lens extends all the way to 4.5 millimeters (equivalent to 32.5mm on a 35mm lens), covering the full wide-angle range needed in most broadcast and professional shooting. It gives you ample range for close-ups, recording in small rooms, and self-recorded interviews. There's no need to carry around a bulky wide-angle conversion lens. And with a minimum object distance (MOD) of approximately 0.6 meter (1.9 feet) in telephoto mode, the AG-DVX100B has the maneuverability of a handheld camera. Execute fast, precise manual zooms Fast, smooth cam-driven manual zoom The cam-driven (mechanical) manual zoom ring provides the same smooth, easy zooming as cameras with interchangeable lenses. Its direct operation gives you fast, precise zooming control. You'll also notice the AG-DVX100B's improved operating feel. When you turn the zoom ring, you experience the familiar steady resistance as with familiar 35mm lenses. The AG-DVX100B is also equipped with a servo-driven zoom that allows slow zooming. Slowest zoom has been reduced to a dramatic 30 seconds from 20 seconds. Focus assist Enjoy quick, sharp focusing manually or automatically. In manual mode, the focus ring provides the similar operating feel and responsive control as conventional cameras with interchangeable lenses. In auto mode, you get the quick, sharp focusing needed in news gathering or when shooting at a high or low angle. When set to infinity, the focal distance is immediately prepared for the next manual focus. When in manual mode, pressing the Push Auto button temporarily activates auto focus. Macro focus can be achieved either manually or automatically when the zoom lens is in the wide angle position. What's in the box Camera, eye cup, lens hood, lens cap, lens cap strap, microphone holder, shoulder strap, AC adapter, AC cable, DC cable, battery, wireless remote control unit, Master Series tape

Most helpful customer reviews 55 of 57 people found the following review helpful. great video By Matthew Sutton I was between Sony and Panasonic (Canon seemed to many recurring complaints, especially with tires) have broken down, and after reading several reviews now a preference for the Panasonic before using one, based on customer loyalty and consistently glowing testimonials. Well, I've never seen comparable Sony, JVC and Canon XL2 (some limited experience with the GL2) was used, but as best I can say without a personal comparison, this camera is really worth all the great reviews. Picture quality is excellent and is similar in many cases just as well as broadcast television video (nonHD) and the camera gives a huge amount of image data control - manual focus ring, aperture (iris), gain, exposure time, zebras control over exposure, white and black balance adjustment, daylight filters, etc. The electronic viewfinder can also be made through the diopter There are six presets simple but customizable control the image so that the user can simply dial in any environment they need according to shooting conditions / lighting. For example, you shoot under fluorescent lights low - adjust the white balance, gain and level of detail, therefore, save it as a "scene" special, when you return to the same place or environment as a shooting, you can do Click Save Settings in an instant and start recording. The first four are factory set for the video of 60 frames, the last two are 24 fps for a more film like quality, which operates the camera beautifully. What really sold me the camera, in terms of equipment, were the two XLR - similar pricing models do not seem to offer this. XLR shotgun microphones allows the user to join professional and bypass the factory of mediocrity, by taking greater advantage of 16-bit 48kHz stereo recording I use a microphone AZDEN relatively inexpensive and improve the sound quality is great. If you were willing to invest in the finest microphones the sound quality would be even better. Has two XLR inputs mean that in addition to record live audio (like a microphone), it is also possible to combine input from another source of pre-registered - all in camera! The objective of the Leica is impressive - is a bit 'wide and are not interchangeable (although I think there is a telephoto lens to adapt $$$). I prefer to shoot wide, but if you need a wide range of lenses, or do not enjoy the look of wide-angle look at Canon. The disadvantages are small - the camera is quite difficult - and would probably be annoying to use as a laptop is not designed for use on the shoulder. Shot almost entirely indoors with a tripod and, therefore, none of these issues are also relevant to me is irrelevant to me are opinions I have read what I pointed out the poor battery performance - in the new film I've ever connected, and therefore, have not noticed any battery problem. The small joystick menu control button used to change menu screens and options for video playback may be frustrating when you're tired, but this is really a trivial concern. This camera is expensive even at $ 1500 + prosumer class tends more to the professional range, but I think it's a great value, considering what a beautiful piece of equipment is and the features it offers. It's more than enough camera for the consumer, and probably a little more than I really need - I used mine for a few months and am still learning to take a better shot and better. Once you have used for a while it becomes clear why this model has a loyal following, if I replace the camera - because I can afford to - the next camera would definitely be a Panasonic, and probably its big brother HD HVX. 17 of 18 people found the following review helpful. Best in Class By The Foot Clan The DVX 100B is cheaper.